Modernity is Apocalyptic in essence. This assertion is stated nowhere in The Triumph of Human Empire by Rosalind Williams, nor in l’Apocalypse Joyeuse by Jean-Baptiste Fressoz. But it is everywhere on the pages of these books, which recount the ambivalence with which the project of Modernity and its technological feats has been received in specific times and places, notably nineteenth century Europe. Essence here is not to be understood as transcendental a-historical necessity, but as unfolding historical ontology. Despite contingencies, (...) the project of Modernity has continued to realise a secular ending of the world by continuing to conquer and destroy it.In The Triumph of Human Empire we encounter ambivalence through the biographies and works of three European writers, who employed the genre of romance to express their uneasiness with modern civilisation and progress: Jules Verne, William Morris and Louis Stevenson. Verne is perhaps the writer which we would least expect to have probl .. (shrink)

Le raisonnement par lequel Hume établit l'ori- gine empirique de Vidée de cause repose implicitement sur un principe de possibilité a priori et même de probabilité a priori, dont Hume n'a pas remarqué le caractère rationnel, tant il paraissait naturel. Ce principe est identique à celui sur lequel Pascal fonde le calcul des probabilités. Si l'on admet sa légitimité, il en résulte deux conséquences capita- les pour la théorie de la connaissance : 1 - La raison ne se limite pas (...) aux seuls principes logiques en oeuvre dans la déduction mais doit reconnaître que ce qui est également pensable est également probable a priori. 2 - Ce principe de probabilité fournit une preuve de l'existence d'une réalité extérieure à la conscience, que l'on cherchait en vain dans le principe de causalité. (shrink)

In this paper, we look for the relevance of chaos in the well-known Hicks-Samuelson's oscillator model investigating the endogenous fluctuations of the national income between two limits: full employment income and under-employment income. We compute the Lyapunov exponent, via Monte- Carlo simulations, to detect chaos in the evolution of the income between both limits. In the case of positive Lyapunov exponent and large values of the parameter (i.e. marginal propensity to consume and technical coefficient for capital), the evolution of income (...) is seen to be chaotic. The model also may contain a quasi-periodic attractor that can be chaotic or not. (shrink)

Max Weber's concept of the iron cage has become a byword in the scholarly world since the publication in 1930 of Talcott Parsons' translation of The Protestant Ethic and the Spirit of Capitalism . What is less well-known is that Jules Verne had earlier used the iron cage metaphor in Twenty Thousand Leagues Under the Sea (1869) to reveal the paradoxes of modernity. Roland Barthes criticized Verne's vision of modernity as bourgeois and positivistic, pointing out his narrow-minded (...) enthusiasm for futuristic technology. In this essay, I argue that Verne's originality lies precisely in his equivocal attitude towards modernity with its high technology. Verne, I suggest, does not reject technological modernity, but by dissecting it he reveals its propelling forces, high demands and price. He shows that the Enlightenment's Rule of Reason is, in the end, governed by the ancient passions of fear, bitterness and the thirst for revenge. It is this combination that makes the human condition tragic. Verne's Homeric imagination creates an epic hero—Captain Nemo—who personifies the remarkable alliance of modern science and ancient heroism. (shrink)

Al momento de incluir a los componentes de divulgación científica y los relatos de aventuras en las estructuras de ficción, la Literatura Universal halló en la figura de Jules Verne a uno de sus exponentes más genuinos. Su singularidad ha trascendido su propia época, perpetuando los avances del mundo moderno hasta nuestros días, como una inusitada notoriedad de este escritor francés. No obstante, y más allá del imaginario literario, los condimentos geográficos e históricos son los que mayormente predominan (...) en la obra de Verne; varios de los cuales, forman parte de la famosa compilación: Los Viajes Extraordinarios. (shrink)

Cette uvre fait partie de la serie TREDITION CLASSICS. La maison d'edition tredition, basee a Hambourg, a publie dans la serie TREDITION CLASSICS des ouvrages anciens de plus de deux millenaires. Ils etaient pour la plupart epuises ou unique-ment disponible chez les bouquinistes. La serie est destinee a preserver la litterature et a promouvoir la culture. Avec sa serie TREDITION CLASSICS, tredition a comme but de mettre a disposition des milliers de classiques de la litterature mondiale dans differentes langues et (...) de les diffuser dans le monde entier. (shrink)